The story itself was never meant to be fully explained. At its core is a solitary edgerunner willing to push himself to the edge for something intensely personal, but the details are deliberately left to the viewer. Our goal was to make every frame carry its own emotional state while still belonging to a larger, unseen narrative. Instead of conventional modeling expressions, we worked with pain, anger, exhaustion, resignation, curiosity, silence and moments of almost complete emotional detachment - often captured through movement rather than static poses. That performance-driven approach became one of the defining elements of the project and brought it surprisingly close to acting. For me, it was also created during an already extreme month of three additional film shoots and very little sleep, which made the physical and emotional intensity unusually real. The result feels successful, but not finished. There is still something unresolved in this world - enough that the idea of continuing it as an actual short film has remained with us ever since.